Possessor of a discourse that articulates autobiographical aspects with history's episodes and themes mixed with plus size, voracity and policy, their work makes a severe critical to the control systems and power. Produces paints and textiles, intervenes and creates objects themselves that are part of theater sets that give the impression of documenting a historical event that took place in some region or unspecified country. Interested in opulence, pageantry and paraphernalia of the symbols of the country and all those phenomena occurring around systems of government or control, their work consists of paintings, objects, flags and textiles that are based on the ideals that criticizes and satirizes subtle and biting. Self-critical and autobiographical way, uses a language based on excess, greed and abundant resources, food and extra large sizes. The image of the pig is almost always present in his work, almost like a self-portrait or a representation of the ambition of the supreme leader in all its expressions, whether capitalist or socialist. It has been art teacher, cultural manager & promoter and the principal of cultural institutions in Guanajuato, Mex. He has been a fellow of the stimulus program for artistic creation of Guanajuato in 2012 with a textiles installation and his work is part of the Ashida’s collection on Mexico.

Juan D Mendoza

Possessor of a discourse that articulates autobiographical aspects with history's episodes and themes mixed with plus size, voracity and policy, their work makes a severe critical to the control systems and power. Produces paints and textiles, intervenes and creates objects themselves that are part of theater sets that give the impression of documenting a historical event that took place in some region or unspecified country. Interested in opulence, pageantry and paraphernalia of the symbols of the country and all those phenomena occurring around systems of government or control, their work consists of paintings, objects, flags and textiles that are based on the ideals that criticizes and satirizes subtle and biting. Self-critical and autobiographical way, uses a language based on excess, greed and abundant resources, food and extra large sizes. The image of the pig is almost always present in his work, almost like a self-portrait or a representation of the ambition of the supreme leader in all its expressions, whether capitalist or socialist. It has been art teacher, cultural manager & promoter and the principal of cultural institutions in Guanajuato, Mex. He has been a fellow of the stimulus program for artistic creation of Guanajuato in 2012 with a textiles installation and his work is part of the Ashida’s collection on Mexico.

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Possessor of a discourse that articulates autobiographical aspects with history’s episodes and themes mixed with plus size, voracity and policy, their work makes a severe critical to the control systems and power. Produces paints and textiles, intervenes and creates objects themselves that are part of theater sets that give the impression of documenting a historical event that took place in some region or unspecified country.

Interested in opulence, pageantry and paraphernalia of the symbols of the country and all those phenomena occurring around systems of government or control, their work consists of paintings, objects, flags and textiles that are based on the ideals that criticizes and satirizes subtle and biting. Self-critical and autobiographical way, uses a language based on excess, greed and abundant resources, food and extra large sizes. The image of the pig is almost always present in his work, almost like a self-portrait or a representation of the ambition of the supreme leader in all its expressions, whether capitalist or socialist. It has been art teacher, cultural manager & promoter and the principal of cultural institutions in Guanajuato, Mex. He has been a fellow of the stimulus program for artistic creation of Guanajuato in 2012 with a textiles installation and his work is part of the Ashida’s collection on Mexico.

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