Should you mix on analogue or digital? Does it even matter?

If you want to get your track mixed then should you go digital or analogue? Does it even matter? This is not an easy question to answer but it’s important to be aware of the advantages of both to make sure you’re getting what you want and aren’t wasting money paying a premium for no benefit. Unfortunately, there are a lot of mistaken assumptions about the benefits of both options and we’ve seen engineers be turned down for mixing work because they don’t offer analogue and the client says they don’t like digital mixing.

The well known engineer Dave Pensado makes this excellent point in Sound on Sound Magazine: “You show me a guy who doesn’t like a particular format and I will show you a guy who does not know how to use it. The reason many old guys are complaining about the digital stuff is that they have not taken the same amount of time to figure out what to do with digital gear as they have learning about analogue when they were young.”

Digital mixing consoles were really expensive when they were first introduced in the 1990s, and so most engineers couldn’t afford them. Since then the cost of digital mixers have dramatically reduced and there are now mixers available for a wide range of budgets. This doesn’t necessarily mean that digital is always the best choice. For many old school sound engineers, analogue desks are still their their go to desks, which is often because they like the familiarity of the sound and because they know how to use it. As well as the cost, the other main issue from the beginning has been the sound quality. Cheaper quality desks have had the reputation of sounding very harsh and sterile whereas analogue desks are renowned for their warmth and character. However, most professional sound engineers agree that the choice of microphone and speakers makes a much bigger difference to the colouration of the sound because they introduce a lot more distortion to the signal, so don’t assume it’s the desk that’s affecting the sound.

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The key benefit of digital desks is that they offer a load sophisticated features which make them really easy to use and flexible. They provide DAW control, allowing you to drive your software of choice directly from the desk. They also often contain integrated effects and allow you to store all your settings on a memory stick enabling you to reload straight into your digital mixer and save your favourite preset configurations to save you lots of time and be able to rapidly change between workflows. Don’t forget that digital desks are typically a lot more reliable too, so you won’t have to get an engineer out to do costly repairs.

Remember though that you aren’t forced to have one or the other. If you want the best of both worlds then get yourself a hybrid desk. They are usually cheaper than a completely digital mixer and give you the feel of analogue whilst still having a lot of the awesome flexibility and functionality of digital mixing.

At the end of the day, the choice is yours, but don’t reject either option based on assumptions. Do some research and see if you can try them both out for yourself by visiting studios or showrooms.

 

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Joe Scarffe

Joe Scarffe

Joe is the Community and Marketing Manager and is currently finishing up a PhD in music at Birmingham Conservatoire and still hasn’t got over his addiction to coffee. He loves getting involved in crazy music projects and plays the bassoon, oboe, piano, recorder and guitar. He also makes lots of electronic music and loves collaborating. He sings too if you ask nicely and once shamefully sang as a backing singer for Will Young. When he’s not moaning about the state of the music industry or public transport in Manchester, he works with the Twine community and handles social media, the blog and partnerships with companies and institutions.
Joe Scarffe

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Joe Scarffe

Joe Scarffe

Joe is the Community and Marketing Manager and is currently finishing up a PhD in music at Birmingham Conservatoire and still hasn’t got over his addiction to coffee.

He loves getting involved in crazy music projects and plays the bassoon, oboe, piano, recorder and guitar. He also makes lots of electronic music and loves collaborating. He sings too if you ask nicely and once shamefully sang as a backing singer for Will Young.

When he’s not moaning about the state of the music industry or public transport in Manchester, he works with the Twine community and handles social media, the blog and partnerships with companies and institutions.