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I had been privileged to contribute towards Tom Salta’s AAA scores of DEATHLOOP (8 BAFTA nominations, Game of the Year 2021) and THE OUTLAST TRIALS (2023), as well as several smaller contributions towards Tencent projects. I also regularly compose for online slots through Stellita Loukas Creative in Greece. I have been Tom Salta’s Composer Assistant for the past three years, receiving the highest level of Game Audio experience and education from one of the most revered Composers in the industry. Both Tom Salta and Stellita Loukas, as well as the award-winning Cody Matthew Johnson are more than happy to write letters of recommendation for me should you require them. I had been fortunate enough to start my journey through some of the most open- minded colleges in the United Kingdom. I studied Contemporary Musics at Bretton Hall College ( John Cage, Steve Reich, Karlheins Stockhausen etc.,) and during my musical career I had been able to apply this background to multiple genres of music for various projects; from commercial music to scoring award-winning short films. In one such film (Poster Boy) I took great pleasure in using a Musique Concrète approach to the score, utilising as many different sounds as I could get out of the Guitar beyond merely playing it. I like to think that I am unbiased in my musical preferences, often looking outside of convention to achieve the sound I’m after. All music has something to learn from. I have also two considerable experience with recording and production experience in multiple settings, from the professional studio and high budget sessions to live recordings at festivals. Sessions have ranged from virtual instruments, to soloists, vocalists, ethnic instrumentation, percussion up to choir and orchestral ensembles. I am a person who loves to be challenged and relishes the opportunity to learn something new. You will find me engaging, inspiring, friendly, highly creative and completely dedicated to my job. --------------------------------------------- Music Composer – 1991 to Present Various Work Sector: Music, Film & Game Audio Responsibilities: Composition and original works of music and sound design, conforming to clients' needs, in multiple and varied genres both separately and collaboratively. Contributed to BAFTA nominated ‘Game Of The Year 2021’ “DEATHLOOP” as well as other forthcoming AAA titles. Working also with online slots to provide composition and sound design. Composer/Sound Designer – 2019 to Present Stellita Loukas Creative/Level Cap Audio Work Sector: Casino Slots Responsibilities: The recording and production of music and sound design for a variety of online slots. Providing mixing and production services to other Video Game composers. Creating polished deliverables stems for clients.…I had been privileged to contribute towards Tom Salta’s AAA scores of DEATHLOOP (8 BAFTA nominations, Game of the Year 2021) and THE OUTLAST TRIALS (2023), as well as several smaller contributions towards Tencent projects. I also regularly compose for online slots through Stellita Loukas Creative in Greece. I have been Tom Salta’s Composer Assistant for the past three years, receiving the highest level of Game Audio experience and education from one of the most revered Composers in the industry. Both Tom Salta and Stellita Loukas, as well as the award-winning Cody Matthew Johnson are more than happy to write letters of recommendation for me should you require them. I had been fortunate enough to start my journey through some of the most open- minded colleges in the United Kingdom. I studied Contemporary Musics at Bretton Hall College ( John Cage, Steve Reich, Karlheins Stockhausen etc.,) and during my musical career I had been able to apply this background to multiple genres of music for various projects; from commercial music to scoring award-winning short films. In one such film (Poster Boy) I took great pleasure in using a Musique Concrète approach to the score, utilising as many different sounds as I could get out of the Guitar beyond merely playing it. I like to think that I am unbiased in my musical preferences, often looking outside of convention to achieve the sound I’m after. All music has something to learn from. I have also two considerable experience with recording and production experience in multiple settings, from the professional studio and high budget sessions to live recordings at festivals. Sessions have ranged from virtual instruments, to soloists, vocalists, ethnic instrumentation, percussion up to choir and orchestral ensembles. I am a person who loves to be challenged and relishes the opportunity to learn something new. You will find me engaging, inspiring, friendly, highly creative and completely dedicated to my job. --------------------------------------------- Music Composer – 1991 to Present Various Work Sector: Music, Film & Game Audio Responsibilities: Composition and original works of music and sound design, conforming to clients' needs, in multiple and varied genres both separately and collaboratively. Contributed to BAFTA nominated ‘Game Of The Year 2021’ “DEATHLOOP” as well as other forthcoming AAA titles. Working also with online slots to provide composition and sound design. Composer/Sound Designer – 2019 to Present Stellita Loukas Creative/Level Cap Audio Work Sector: Casino Slots Responsibilities: The recording and production of music and sound design for a variety of online slots. Providing mixing and production services to other Video Game composers. Creating polished deliverables stems for clients.

Chris Frost

Composer, Music Composer, Music Producer, +2

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I had been privileged to contribute towards Tom Salta’s AAA scores of DEATHLOOP (8 BAFTA nominations, Game of the Year 2021) and THE OUTLAST TRIALS (2023), as well as several smaller contributions towards Tencent projects. I also regularly compose for online slots through Stellita Loukas Creative in Greece. I have been Tom Salta’s Composer Assistant for the past three years, receiving the highest level of Game Audio experience and education from one of the most revered Composers in the industry. Both Tom Salta and Stellita Loukas, as well as the award-winning Cody Matthew Johnson are more than happy to write letters of recommendation for me should you require them. I had been fortunate enough to start my journey through some of the most open- minded colleges in the United Kingdom. I studied Contemporary Musics at Bretton Hall College ( John Cage, Steve Reich, Karlheins Stockhausen etc.,) and during my musical career I had been able to apply this background to multiple genres of music for various projects; from commercial music to scoring award-winning short films. In one such film (Poster Boy) I took great pleasure in using a Musique Concrète approach to the score, utilising as many different sounds as I could get out of the Guitar beyond merely playing it. I like to think that I am unbiased in my musical preferences, often looking outside of convention to achieve the sound I’m after. All music has something to learn from. I have also two considerable experience with recording and production experience in multiple settings, from the professional studio and high budget sessions to live recordings at festivals. Sessions have ranged from virtual instruments, to soloists, vocalists, ethnic instrumentation, percussion up to choir and orchestral ensembles. I am a person who loves to be challenged and relishes the opportunity to learn something new. You will find me engaging, inspiring, friendly, highly creative and completely dedicated to my job. --------------------------------------------- Music Composer – 1991 to Present Various Work Sector: Music, Film & Game Audio Responsibilities: Composition and original works of music and sound design, conforming to clients' needs, in multiple and varied genres both separately and collaboratively. Contributed to BAFTA nominated ‘Game Of The Year 2021’ “DEATHLOOP” as well as other forthcoming AAA titles. Working also with online slots to provide composition and sound design. Composer/Sound Designer – 2019 to Present Stellita Loukas Creative/Level Cap Audio Work Sector: Casino Slots Responsibilities: The recording and production of music and sound design for a variety of online slots. Providing mixing and production services to other Video Game composers. Creating polished deliverables stems for clients.…I had been privileged to contribute towards Tom Salta’s AAA scores of DEATHLOOP (8 BAFTA nominations, Game of the Year 2021) and THE OUTLAST TRIALS (2023), as well as several smaller contributions towards Tencent projects. I also regularly compose for online slots through Stellita Loukas Creative in Greece. I have been Tom Salta’s Composer Assistant for the past three years, receiving the highest level of Game Audio experience and education from one of the most revered Composers in the industry. Both Tom Salta and Stellita Loukas, as well as the award-winning Cody Matthew Johnson are more than happy to write letters of recommendation for me should you require them. I had been fortunate enough to start my journey through some of the most open- minded colleges in the United Kingdom. I studied Contemporary Musics at Bretton Hall College ( John Cage, Steve Reich, Karlheins Stockhausen etc.,) and during my musical career I had been able to apply this background to multiple genres of music for various projects; from commercial music to scoring award-winning short films. In one such film (Poster Boy) I took great pleasure in using a Musique Concrète approach to the score, utilising as many different sounds as I could get out of the Guitar beyond merely playing it. I like to think that I am unbiased in my musical preferences, often looking outside of convention to achieve the sound I’m after. All music has something to learn from. I have also two considerable experience with recording and production experience in multiple settings, from the professional studio and high budget sessions to live recordings at festivals. Sessions have ranged from virtual instruments, to soloists, vocalists, ethnic instrumentation, percussion up to choir and orchestral ensembles. I am a person who loves to be challenged and relishes the opportunity to learn something new. You will find me engaging, inspiring, friendly, highly creative and completely dedicated to my job. --------------------------------------------- Music Composer – 1991 to Present Various Work Sector: Music, Film & Game Audio Responsibilities: Composition and original works of music and sound design, conforming to clients' needs, in multiple and varied genres both separately and collaboratively. Contributed to BAFTA nominated ‘Game Of The Year 2021’ “DEATHLOOP” as well as other forthcoming AAA titles. Working also with online slots to provide composition and sound design. Composer/Sound Designer – 2019 to Present Stellita Loukas Creative/Level Cap Audio Work Sector: Casino Slots Responsibilities: The recording and production of music and sound design for a variety of online slots. Providing mixing and production services to other Video Game composers. Creating polished deliverables stems for clients.

Available to hire

Rochester, United Kingdom

£750 per day (£93.75 per hour)

I had been privileged to contribute towards Tom Salta’s AAA scores of DEATHLOOP (8 BAFTA nominations, Game of the Year 2021) and THE OUTLAST TRIALS (2023), as well as several smaller contributions towards Tencent projects. I also regularly compose for online slots through Stellita Loukas Creative in Greece. I have been Tom Salta’s Composer Assistant for the past three years, receiving the highest level of Game Audio experience and education from one of the most revered Composers in the industry. Both Tom Salta and Stellita Loukas, as well as the award-winning Cody Matthew Johnson are more than happy to write letters of recommendation for me should you require them.

I had been fortunate enough to start my journey through some of the most open- minded colleges in the United Kingdom. I studied Contemporary Musics at Bretton Hall College ( John Cage, Steve Reich, Karlheins Stockhausen etc.,) and during my musical career I had been able to apply this background to multiple genres of music for various projects; from commercial music to scoring award-winning short films. In one such film (Poster Boy) I took great pleasure in using a Musique Concrète approach to the score, utilising as many different sounds as I could get out of the Guitar beyond merely playing it. I like to think that I am unbiased in my musical preferences, often looking outside of convention to achieve the sound I’m after. All music has something to learn from.

I have also two considerable experience with recording and production experience in multiple settings, from the professional studio and high budget sessions to live recordings at festivals. Sessions have ranged from virtual instruments, to soloists, vocalists, ethnic instrumentation, percussion up to choir and orchestral ensembles.

I am a person who loves to be challenged and relishes the opportunity to learn something new. You will find me engaging, inspiring, friendly, highly creative and completely dedicated to my job.

Music Composer – 1991 to Present
Various
Work Sector: Music, Film & Game Audio
Responsibilities: Composition and original works of music and sound
design, conforming to clients’ needs, in multiple and varied genres both
separately and collaboratively. Contributed to BAFTA nominated ‘Game Of
The Year 2021’ “DEATHLOOP” as well as other forthcoming AAA titles.
Working also with online slots to provide composition and sound design.

Composer/Sound Designer – 2019 to Present
Stellita Loukas Creative/Level Cap Audio
Work Sector: Casino Slots
Responsibilities: The recording and production of music and sound
design for a variety of online slots. Providing mixing and production
services to other Video Game composers. Creating polished deliverables
stems for clients.