_Website not available. Sign in: https://www.twine.net/signup_ I push pixels and love animation. I come from 20 years of industry experience with a self-sustaining remote work mindset. Every project I work on gets the same treatment, no matter how big or small the logo. If it looks good and moves good, it is good. I live in sunny South Florida on the east coast of the United States, but my client list spans around the globe from South Korea to Los Angeles. Working remote has been in my bloodstream since 2004. My rate is $700/day or $3000/week. I also am open to work on project bid for the right project. I have built my own render farm to handle projects. So if you hire me, that is included. Thanks so much and I hope we have the opportunity to work together in the future! ---…

jfrii

_Website not available. Sign in: https://www.twine.net/signup_ I push pixels and love animation. I come from 20 years of industry experience with a self-sustaining remote work mindset. Every project I work on gets the same treatment, no matter how big or small the logo. If it looks good and moves good, it is good. I live in sunny South Florida on the east coast of the United States, but my client list spans around the globe from South Korea to Los Angeles. Working remote has been in my bloodstream since 2004. My rate is $700/day or $3000/week. I also am open to work on project bid for the right project. I have built my own render farm to handle projects. So if you hire me, that is included. Thanks so much and I hope we have the opportunity to work together in the future! ---…

Available to hire
credit-card $700 per day ($87.5 per hour)

Website not available. Sign in: https://www.twine.net/signup

I push pixels and love animation. I come from 20 years of industry experience with a self-sustaining remote work mindset. Every project I work on gets the same treatment, no matter how big or small the logo. If it looks good and moves good, it is good.

I live in sunny South Florida on the east coast of the United States, but my client list spans around the globe from South Korea to Los Angeles. Working remote has been in my bloodstream since 2004.

My rate is $700/day or $3000/week. I also am open to work on project bid for the right project. I have built my own render farm to handle projects. So if you hire me, that is included.

Thanks so much and I hope we have the opportunity to work together in the future!

See more

Skills

Experience Level

3D Animation
Expert
Adobe After Effects
Expert
DaVinci Resolve Studio
Expert
MAXON Cinema 4D
Expert
Mixamo
Expert
Motion Graphic
Expert
Animation
Expert
2D Animation
Expert

Language

English
Fluent
German
Beginner

Industry Experience

Computers & Electronics, Media & Entertainment, Telecommunications
    uniE608 Pratt + Whitney - Enginewise
    We were tasked at 90 Degrees West to produce a brand video for the launch of a new engine tracking technology from Pratt & Whitney - Enginewise. We wanted to portray how data forms so much of our environment and how that data is used to lengthen engine life. #animator #design #3d #2d…
    uniE608 Delta Faucet - Control is Everything
    Delta Faucets wanted us at 90 Degrees West to produce a video to launch their latest water detection device for the internet of things. We blended traditional 2D animation with 3D product design and LOTS of water drips. #animator #3d #2d #celanimation…
    uniE608 SLAM - Modern
    Old school cool spot we produced for St. Louis Art Museum highlighting the form and function of Mid-Century modern art and design. #animator…
    uniE608 Stihl - Hard to Wrap
    It's Christmas and you're peeking under the tree... what could that be? It's a Stihl Chainsaw of course, you can tell by the shape. I was asked by Antidote Studios to help put together elements for this fanciful Holiday spot highlighting Stihl lawn products. I was mainly responsible for animation, look dev, particle work, and compositing. #animator #3d #2d…
    uniE608 Biore - This is going to suck
    I was again asked by Antidote Studios with help creating some elements for a spot for Biore. Needless to say, it sucked... I was asked to provide particle work for various levels of physical simulations - bubbles, granular, and fluid, as well as look dev and compositing. Really fun project to work on! #animator #3d #xparticles #insydium…
    uniE608 DEFY TV
    I teamed up with Creative Mammals for a new network launch. Defy is a multi-platform network that provides premium, action-packed content that fearlessly confronts the norms of reality television. With over 6,000 hours of content, which is largely made up of A&E original series, Defy has access to all the best of reality TV, with OTA (over-the-air) exclusivity for these shows. Scripps tasked Creative Mammals with elevating the network’s launch campaign by creating a brand identity that brings together thrill, adventure, craftsmanship, education, trade, and real-life people into one ultra-sleek package. #animator #3d #2d #motion #design…
    uniE608 Boston Scientific
    I was asked by Antidote Studio to help with animation for a showreel video for Boston Scientific. The first half of the video flexed our particle system muscles while the back half was a concentration of camera motion and lighting. #3d #2d…
    uniE608 Sprite Big Latto Atlanta Hawks
    Creative Mammals asked me to help put together a crazy video starring rap artist Latto for an introduction into a live presentation for the Atlanta Hawks. Latto's performance was captured as a 3D performance and provided to me as an animated alembic file. The UV map provided was a frame variable UV that only provided a diffuse channel. I pulled separate channels from the provided file to generate custom roughness maps to give a little more detail to the orginal .abc file. The result allowed us to put Latto in various 3D environments with very few restrictions with what we could do with the camera in space. I animated the environment, cameras, and lighting to add to the performance as a whole. There are some currently obvious limitations to the technology, but the possibilities are extremely exciting! #3d #2d…
    uniE608 Billy the Kid
    Working with the incredibly talented team at yU+co, I was asked to help animate 3D elements for the show titles on the second season of Billy the Kid. We adopted the visual language of the time period, drawing inspiration from Tintype photography to give a gritty, weathered look to the sequence. I was primarily tasked with the 3D sequences of the guns, typewriter, and bullets. I also handled the fluid sims required for the smoke in those sequences. And lastly I had the pleasure of developing the end card shot animation and look. #3D #xParticles #Insydium…
    uniE608 REEL 2019
    Compilation of work from the last few years. I am so thankful for the great people of all the studios and clients I've had the opportunity to work with. 90 Degrees West / Limerick / Utoka / Elevation / Superfad / Outpost Pictures / Vazda / Floyd County / Hooligan & Co. / Brand New School / Ultrabland / Big Communications / Artifact / Illuminate / Bent Horizon #video #animator #videoeditor #3D #2D #C4D #AE…
    uniE608 reel 2024
    pixel.pusher Collected works 2019-2023 Special thank you to these studios for an amazing experience collaborating and producing great work: Creative Mammals, Freethink, 90 Degrees West, Antidote, yu+co, DigitalBrew. Utoka, Townsend Hurst, Mio #video #animator #3D #c4d #AE…